Box 5
Contains 49 Results:
Entwurf zu Lucrezia Borgia!, c.1920s
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Gesammelte Plauderei (was viele nicht wissen.), c.1920s
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
The Golden Comb of the Lorelei (1 of 2), 1980
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
The Golden Comb of the Lorelei (2 of 2), 1980
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Der Goldne Kamm der Lorelei, 1941-1944, 1980
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Du Kannst es, wenn Du net willst!, c.1920s
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Les Millards de Morell, c.1934
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Mütter grosser Denker!, c.1920s
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Pergolesi, 1936-1937
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.