Box 6
Contains 38 Results:
Theatergluck, c.1920s
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Die Vergewaltigte Lorelei, 1977
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Die Vergewaltigte Lorelei, 1981
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Die Vergewaltigte Lorelei, 1982
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Die Vergewaltigte der Lorelei, 1984
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Je veux te voir fort, c.1934-1935
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
The Victory of Democracy, undated
This sub-series (bulk c.1926-1936, 1980-1984) contains English, German, and French screenplays written for radio, film, and theater. Hermanns mainly wrote plays during the transitional period between receiving his doctorate in Sociology in 1926 and his stay in France from 1934-1935 after fleeing Germany. He returned to writing plays in the late 1970s, including several religious works.
Adam, Wo Bist Du? (1 of 2), 1975
This sub-series (bulk 1976-1984) contains the English and German poems/
Adam, Wo Bist Du? (2 of 2), 1975
This sub-series (bulk 1976-1984) contains the English and German poems/
Epigrams and Proverbs, 1947-1987
This sub-series (bulk 1976-1984) contains the English and German poems/